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Ultra Music Festival 2015 Miami - All Livesets - March 2015not rated 11 13d 10.27 GB 136 VBR 30 tor
Sasha  - Live At Ultra Music Festival, Resistance Stage (wmc 2015, Miami) - 27-mar-2015not rated 13 21d 78.92 MB 580 256 63 tor
Sasha B2b Dubfire - Live At Trade, Miami - 05-dec-2014not rated 10 22d 290.92 MB 359 128 47 tor
Above And Beyond - Group Therapy 122 Incl Sasha Guestmix - 20-mar-2015not rated 28d 244.79 MB 78 VBR rsd tor
Above And Beyond (guest Sasha) - Group Therapy 122 - March 2015not rated 3 28d 274.52 MB 224 320 24 tor
Winterworld 2015 - Sasha Carassi Live - 22-feb-2015not rated 29d 92.26 MB 3 VBR 2 tor
Hernan Cattaneo - Resident Live From London 95.1fm [the Complete Collection] 2002 - 2008not rated 4 50d 38.15 GB 25 192 8 tor
John Digweed & Sasha - Twilo Peak Time Mix - October 2000not rated 3 55d 87.42 MB 131 192 14 tor
Sasha - Umf Radio #299 - Live At Double Six Rooftop, Bali - 01-jan-2015not rated 17 76d 272.22 MB 477 320 35 tor
Mehmet Akar - 2nd Resurrection Pack 2011 - 2014not rated 1 78d 2.96 GB 27 VBR 8 tor
The Bpm Festival 2015  - Playa Del Carmen, Mexico [full Coverage] - January 2015not rated 7 87d 15.51 GB 111 192 10 tor
Sasha  - Live At Last Night On Earth, Blue Parrot (the Bpm Festival 2015, Mexico) - 16-jan-2015not rated 17 91d 222.57 MB 800 V0 26 tor
John Digweed & Guests - Transitions Year Pack - 2014not rated 4 111d 8.09 GB 71 192 11 tor
Sasha - Live @ Prince Of Wales (melbourne) - 03-nov-2014not rated 16 112d 152.22 MB 522 128 27 tor
Above & Beyond - Trance Around The World - Episode 201-300 - 2010not rated 2 126d 19.08 GB 26 VBR 6 tor
Sasha & John Digweed - Live @ Eventshall Summerfest Budapest - 07-jul-2006not rated 2 129d 226.40 MB 151 128 9 tor
Sasha  - Live At Aria (montreal) - 07-aug-2004not rated 2 129d 307.53 MB 123 192 15 tor
Sasha  - Live At Aria (montreal) - 07-dec-2014not rated free 307.53 MB 0 256 rsd tor

Information, Biography, Discography, Clubs, Venues and Websites...

[has never been edited since 9.9 years] [added by slash]
SashaWhen an ordinary person is recognised at a young age for doing extraordinary things, it is easy to be misunderstood. Sasha, a musician in every sense of the word, may have fallen into that media led trap in the past, but now at 30 years young he forges ahead with projects that will finally allow people to understand who the man behind the myth really is.

The best DJs know that Djing is first about being able to read people and then about being able to tap into that human experience and take it on a journey. Sasha has always been noted for being a master at this, and although his style is described as "Progressive Trance" with a good presence of House and break beat elements; his music has always reached beyond those record store titles, thus separating him from his contemporaries. Sasha creates and plays music that gives emotion a chance to speak. It is this universal appeal that he has tapped into that has established his strong fanbase around the globe.

This ability to capture sounds on a universal level was most recently called upon when he was asked to write all the music for Sony Playstation�s biggest game release of 1999, "Wipeout 3". Sasha wrote 5 original tracks to soundscape the game. "Wipeout 3" won not only the best racing game award, but best game of the whole show.

His special touch has also recently been called upon by The Chemical Brothers, who singled him out as the only artist asked to remix a track ("Out Of Control") from their new album. "I just dubbed it out to a style like I would play, the elements and sounds that the Chems used were so good that I didn't want to change them at all", Sasha reports on making the mix. Sasha's resume of chart topping remixes also earned him a request from Madonna in 1998 when he was asked to remix "Ray Of Light" and "Substitute For Love/ Drowned World".

Do not be mistaken, this kind of recognition does not happen overnight. Born and raised in a small town in Wales, Sasha was exposed to Motown records when he was just a baby and it was in the home that his talent for playing the piano was developed. His first exposure to house music was at Manchester's Hacienda; just as dance music exploded into the summer of love. This impact encouraged his move from Wales to Manchester. His first exploration into Djing was when a DJ in a local pub announced he was looking for people to play club dates. Sasha volunteered and now says that he "had about 30 records and basically just blagged it".

After honing his deck technique, Sasha's first big break came when he was offered a residency at Stokes legendary club Shelly�s. When all the other DJ's were playing US House, Sasha's style was much more uplifting, and he encapsulated clubbers with his mixture of piano led Italian House whilst playing acapella tracks over the top. This combination alongside a wide variety of anthems kept dancefloors full and elevated Sasha to hero status.

Shelly�s was the launch pad for the residency at Renaissance, where Sasha created his niche and helped forge a new style in UK house music. At Renaissance two major things happened; Sasha mixed the first ever UK DJ mix album and he met John Digweed which cemented the partnership known as "Northern Exposure". Over the past couple of years, Sasha and John have played together on five continents, have mixed 3 "Northern Exposure" albums which have sold to over 1 million people worldwide.

This special brother like relationship that Sasha and Digweed have on the decks, is what landed them the monthly residency at New York�s "Twilo", following in the footsteps of Vasquez and Tenaglia. This residency has reached cult status in New York, and after going strong for over two years, it will continue well in to the millennium.

Although Sasha has clearly reached a celebrity status, it�s his generous personality, his love for his peers and of course his completely candid humour that has enabled him to maintain such a likeable high profile in the often-fickle world of club culture. Always one to share what comes his way, Sasha invited long time friend and collaborator BT to take part in what he called "one of the most amazing musical experiences in my life". He is referring to his experience out at Peter Gabrielle�s Real World studio in 1998 where Sasha explains in a mixer article, "we were in there for a week and were just going to do one track (during Real World�s annual recording week where artists from all over the world are invited to Bath to record at the famous studios). "There were so many talented musicians around and the vibe down there was incredible. People were walking in, hitting things, strumming things, and slapping their goats! There were mad African people everywhere. We ended up recording five tracks and finishing four".

Since then of course, Sasha has gone from DJ to superstar status in America, where "Sarsha" is a household name for many teenagers and his and John's residency has continued to provide the launchpad for British dance music into New York and beyond. The sound of Twilo: deep, pumping late night .h.o.u.s.e. is encapsulated on 'Communicate', Sasha and John's joint mix album for INCredible. Modern club anthems like Trancesetters 'Roaches' and Trisco's Muzak all blended in the late night, early morning way that New York's clubbers have come know and love.

Earlier this year, a gruelling three month tour has taken their sound further out into deepest America, preaching a gospel of repetitive beats and imaginative mixing from coast to coast, and right through the mid western heartland of the States. A punishing gig-a-night schedule that must make nights like the opening of Space in Ibiza in June seem like a holiday by comparison. This summer has also seen Sasha move back into releasing his own music, collaborating with the former Underworld mainstay, DJ Darren Emerson on 'Scorchio'. A fast, deep pulsing tech-house track with a cheeky hint of Latin summer carnival, 'Scorchio' sums up everything that's best in Sasha's music: deep, intelligent music that still retains a sense of fun and works best out in the middle of the sweaty dancefloor.

For Sasha, music is his first love, and what gives him a buzz is being able to share his music with others. From his presence at those all too talked about after hour parties where his special impromptu sets are heard, to his signature always present child like antics that leave people wondering if he has modelled his life after Peter Pan, to his DJ sets at clubs around the world, all lined with the backdrop of his own productions, Sasha leaves trails of memories, melodies and stories wherever he goes. These are the things that have been, and will continue to be remembered and passed on for years. And that is what legends are made of.


flurouser wrote on 2015-01-26 17:26:47January 26th, 2015 at 5:26pm
fluro's profile picture
First encountered Sasha upon hearing his "Wip3out" tracks. These aren't like his mixes, they're more fast-paced and fit the highspeed racing game exactly. If you ever encounter a PSX copy of that game, just buy it and you have a masterpiece of soundtrack.

His remixes are always worth to be listening to.

The mixes/sets are awesome - I yet have to encounter one which is at least showing some trail of boredom. I'd recommend to listen to every set of him.

His albums/compilations are again on another level: "Airdrawndagger" has its very own style, and "Involver" again is a world on its own - not to speak of the remixes he did for this. Last but not least the "Northern Exposure" compilations are also definitly worth a go.

Not one single piece of his work sounds yet outdated to me.

download → Tanner Ross  - Live At Crew Love, Canibal Royal (The BPM Festival 2015, Mexico) - 12-Jan-2015
Tanner Ross - Live At Crew Love, Canibal Royal (The BPM Festival 2015, Mexico) - 12-Jan-2015
download → Guy Gerber  - Live At Rumors, Canibal Royal (The BPM Festival 2015, Mexico) - 09-Jan-2015
Guy Gerber - Live At Rumors, Canibal Royal (The BPM Festival 2015, Mexico) - 09-Jan-2015
download → Ed Rush & Optical with MC Armanni Reign - live at Movement 2014, Detroit - May 2014
Ed Rush & Optical with MC Armanni Reign - live at Movement 2014, Detroit - May 2014